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Simon Vouet
Tine onquered by Youth and Beauty
mk61
1627
Oil on canvas
107x142cm
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Simon Vouet
Time Overcome by Hope and Beauty
mk156
1627
Oil on canvas
107x142cm
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Simon Vouet
The Anunciacion
mk166
First half of the 17th century I Wave on cloth 230x159cm Museum Fine Arts
Pushkin Moscu
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Simon Vouet
Crucifixion
Chiesa del Ges??, G??nes,375 X 225 cm.1622
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Simon Vouet
Allegory of La Richesse
Mus??e du Louvre, Paris,170 X 124 cm.1630/1635
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Simon Vouet
Portrait of Angelique Vouet
1635/1638 Pastel on paper Mus??e du Louvre, Par??s
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Simon Vouet
Hesselin Virgin and Child
97 X 77 cm. Mus??e du Louvre, Par??s
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Simon Vouet
Sleeping Venus
1630/40 100,5 X 84 cm. Museum of Fine Arts, Budapest
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Simon Vouet
Presentation of Jesus at the Temple
1641 393 x 250 cm. Mus??e du Louvre, Par??s
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Simon Vouet
Apollo and the Muses
1640 Museum of Fine Arts, Budapest
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Simon Vouet
Detail of Apollo and the Muses
1640 Museum of Fine Arts, Budapest
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Simon Vouet
The Muses Urania and Calliope
c. 1634
Oil on panel
79.8 x 125 cm
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Simon Vouet
Psyche betrachtet den schlafenden Amor
Medium Oil on canvas
Dimensions 0112 X 165 cm
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Simon Vouet
The Muses Urania and Calliope
Medium Oil on panel
Dimensions 79.8 x 125 cm
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Simon Vouet
Allegory of Virtue
Medium Oil on canvas
Dimensions 210 x 113 cm
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Simon Vouet
Allegorie des Reichtums
Medium Oil on canvas
Dimensions Expression error: Missing operand for *170 ?? 124 cm
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Simon Vouet
Wealth
Date ca. between 1635(1635) and 1640(1640)
Medium Oil on canvas
Dimensions 170 x 124 cm (66.93 x 48.82 in)
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Simon Vouet
Low resolution detail of the muse Urania from The Muses Urania and Calliope
Low resolution detail of the muse Urania from The Muses Urania and Calliope
c. 1634
cjr
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Simon Vouet
Vierge Hesselin
Vierge au rameau de chene, dite "Vierge Hesselin"
cjr
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Simon Vouet
Diana
1637
Oil on canvas
102 X 141 cm (40.16 X 55.51 in)
cjr
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| Simon Vouet
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b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.
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